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Paul Matwychuk

1. Where’s your byline?
Vue Weekly, Key West Magazine

2. Education:
B.A. (History and English), M.A. (English), LL.B.

3. Film education:
I've taken several film classes in university, but I don't have any degrees in film appreciation.

4. Indispensable film books:
Guide for the Film Fanatic by Danny Peary; For Keeps by Pauline Kael; A Biographical Dictionary of Film by David Thomson; The Film Encyclopedia by Ephraim Katz;
Movie Wars by Jonathan Rosenbaum

5. Favorite film magazines and/or websites:
Film Comment, GreenCine Daily, Sergio Leone and the Infield Fly Rule, The House Next Door, Hollywood Elsewhere, The Moviegoer

6. Describe a typical work week:
My main job is editing Key West Magazine, which takes up my Monday-Friday/9-to-5 hours, and often more. But I also write my weekly column "The Moviegoer" for Vue Weekly in Edmonton, so I try to watch as much interesting new and old stuff as I can, often three or four films a week, to provide me with fodder for the column, which I usually write on either Saturday or Sunday morning. Each 700-800 word column takes me about two or three hours to write.

7. How many movies did you review in 2006?
Only about 50, if you count movies I discussed in my column, which is devoted more to highly personal "think pieces" about film rather than straightforward reviews. In previous years, when I was more on the week-by-week reviewing beat, I'd probably review close to 100 films a year.

8. What do you take with you to a screening?
Nothing except a coffee. I don't like to take notes while I'm watching a movie.

9. Movie you lambasted that then got you lambasted, & have you since backpedaled?
The Lord of the Rings: The Fellowship of the Ring. No, I haven't backpedaled. I still think it's a bloated, humourless, completely tedious and self-important movie that has none of the qualities that made Peter Jackson's previous work so enjoyable.

10. To what extent do you believe home theatres will make movie theatres obsolete?
To a great extent. Moviegoing has become the most miserable entertainment experience there is. I can't think of another product, entertainment-related or not, that is so regularly delivered to the public in conditions as shoddy and careless as first-run movies. It's scandalous. I don't know why the public puts up with it.

11. Advice for hitting a film fest; What are your objectives?
It's a combination of getting in on the ground floor on upcoming "buzz" movies so that I can arrange interviews with directors for future issues of the newspaper; and seeing interesting-looking movies that I know *aren't* going to be showing everywhere in the next couple of months, and which I will have to catch now or else never see again.

12. Most over/under-rated film fest and why: --

13. What fests did you attend in 2006, and which would you like to attend in 2007? --

14. How do you fuel yourself during a hectic fest schedule? --

15. Your ideal film fest theme: --

16. What do you consider the most prestigious non-Oscar film award?
Palme d'Or. Still tops after all these years.

17. Movies/genres you can discuss better than anyone else:
I don't know if I'm the ultimate expert in any movie or genre. I've probably seen Robert Altman's Secret Honor more times than anyone else on the planet, so I guess I'll pick that one.

18. If you were locked in a theatre with the work of three directors...
Robert Altman, David Lynch, Akira Kurosawa

19. How often do you watch movies that you aren’t critiquing?
Constantly. At least two a week.

20. Three favorite sick-in-bed/easy-on-the-head movies:
Dick, Stop Making Sense, Buckaroo Banzai

21. Surprising turn from one of your least favorite actors/directors:
Pennies from Heaven, from director Herbert Ross

22. Three essential movies for a proper film-snob library:
You've gotta have The Rules of the Game, Tokyo Story and .

23. How did you become a film critic?
I've always wanted to be a film critic. I signed on as a movie critic at my campus paper when I began attending university, and I've always had a forum for my reviews ever since.

24. Career moment you’re most proud of:
Writing an appreciation of Marcia Jean Kurtz, a character actress who gave wonderful performances in small roles in Inside Man and Dog Day Afternoon, and then getting an e-mail from her thanking me for the column.